Generally, the species is doing alright, but threats include the continued loss of wetlands, collisions with overhead power lines, use of persistent pesticides (such as DDT) to combat locusts in Africa, and largely illegal hunting on migration routes and wintering grounds. https://en.wikipedia.org/wiki/White_stork#Conservation
Podiceps nigricollis spends its winter on salty lakes and coastal areas, and this is exactly where I found this adult in its non-breeding plumage: the lagoon of Venice. Urban birding rocks!
If anyone has a good idea how to take photos of birds moving up and down on waves and not to lose focus on the target, please tell me 🙂 .
Former Opera House and now used for the occasional concert or play, the theatre is way too underused in my opinion.
My students tell me that there’s only sparse information available on the schedule. So we were rather lucky because the friend of a friend was going to perform there with a famous Algerian singer, and we managed to get some tickets.
The interior is the same style as the exterior. It’s not exactly what I like in terms of architecture or design, but it’s being kept in good repair.
The singer we saw is Lila Borsali. She sings in Arabic, Amazight and French in a style called musique andalouse in French. Lots of influences from Spain to Turkey make this really fascinating – check out her youtube channel: https://www.youtube.com/user/ekleila.
Recent news about Pygoscelis adeliae hasn’t been very good (https://www.theguardian.com/environment/2017/oct/12/penguin-catastrophe-leads-to-demands-for-protection-in-east-antarctica). It’s down to us human animals to protect what we haven’t destroyed and killed off yet.
It’s quite a title for a museum that has a vast area available to display its exhibits. Ahmed Zabana is of local and national importance (https://en.wikipedia.org/wiki/Ahmed_Zabana). I think it’s his photo hanging in the entrance hall. Inside the museum, photography is not allowed. Hence there won’t be any pics of all the bones, stuffed animals (including a goat embryo with a double head), swords, painted landscapes, clothes or pottery. You see, the collection is holistic rather than specialised.
On the whole, I think the way the exhibits are presented leaves a lot to be desired. There’s a name, sometimes a year and place of origin. For animals, the Latin name of the species is given. Other than that, next to no context. So not as informative as it could be, and also a bit dull. Having said that, I realise that keeping such a vast and diverse collection must put an enormous strain on the curators even just in terms of day-to-day house keeping. And I also appreciate that all labels are in Arabic as well as French.
My favourite object was a 20th-century bamboo stick from New Caledonia. I guess that’s a reminder of French colonialism – how else would the stick have ended up in Oran? Anyway, it was beautifully and intricately carved with animals like cats and humans.
On the outside, the museum looks very different again. The murals seem to commemorate Algeria’s distant past during Numidian or Roman times. Judge for yourself: