It’s quite a title for a museum that has a vast area available to display its exhibits. Ahmed Zabana is of local and national importance (https://en.wikipedia.org/wiki/Ahmed_Zabana). I think it’s his photo hanging in the entrance hall. Inside the museum, photography is not allowed. Hence there won’t be any pics of all the bones, stuffed animals (including a goat embryo with a double head), swords, painted landscapes, clothes or pottery. You see, the collection is holistic rather than specialised.
On the whole, I think the way the exhibits are presented leaves a lot to be desired. There’s a name, sometimes a year and place of origin. For animals, the Latin name of the species is given. Other than that, next to no context. So not as informative as it could be, and also a bit dull. Having said that, I realise that keeping such a vast and diverse collection must put an enormous strain on the curators even just in terms of day-to-day house keeping. And I also appreciate that all labels are in Arabic as well as French.
My favourite object was a 20th-century bamboo stick from New Caledonia. I guess that’s a reminder of French colonialism – how else would the stick have ended up in Oran? Anyway, it was beautifully and intricately carved with animals like cats and humans.
On the outside, the museum looks very different again. The murals seem to commemorate Algeria’s distant past during Numidian or Roman times. Judge for yourself: